In 2022, Wong became the first Asian woman to appear as the face of the U.S. In 1960, a year before she died, Wong received a star on the Hollywood Walk of Fame. In 1951, she became the first Asian American to lead an American television show, The Gallery of Madame Liu-Tsong. She was the first Chinese American movie star in Hollywood, appearing in over 60 films, with her first leading role coming in 1922’s The Toll of the Sea. In 2006, The Curse was inducted into the United States Library of Congress’ National Film Registry. Marion Wong made no other films that we know of, and today, only two out of seven or eight nitrate reels of The Curse have survived, discovered in 2004 by filmmaker Arthur Dong. ![]() Unfortunately, no distributors bought the film and, with no financial returns, Ben Lim declared bankruptcy. According to the Jissue of The Motion Picture World, the film “deals with the curse of a Chinese god that follows his people because of the Influence of western civilization.” When the film was released, Marion Wong told the Oakland Tribune, “I had never seen any Chinese movies, so I decided to introduce them to the world.” The film was produced by The Mandarin Film Company - also founded by Marion Wong, who secured funding from her uncle Ben Lim. Wong cast herself as the villain, her sister-in-law Violet Wong as the hero, and her mother Chin Shee as the elder matron. The first Asian American feature film was made in 1916 by 21-year-old Wong, who directed, wrote, produced, and starred in The Curse of the Quon Gwon: When the Far East Mingles with West. And this year, Michelle Yeoh made Oscar history as the first Asian woman to win Best Actress for Everything Everywhere All at Once.Īs representation has expanded in recent years for Asian women on either side of the camera, let’s look at the Asian American women film directors who have paved the way in Hollywood.ĭirector and star Marion Wong and costar Violet Wong, 1916 (Photo by Everett) In 2020, Awkwafina became the first Asian woman to win Best Actress at the Golden Globes for The Farewell, directed by Lulu Wang. Before Zhao made history, director Domee Shi became the first woman of color to win a best animated short Oscar for Bao in 2019 the same year, director Isabel Sandoval’s feature Lingua Franca was the first film directed and starring an openly trans woman of color to screen in competition at the Venice International Film Festival. For these reasons alone, it lands at the top of the best science fiction romance films.It took 93 years for the Academy to name an Asian woman (and first woman of color) as Best Director when Chloé Zhao took home the 2021 Academy Award for the critically acclaimed Nomadland. ![]() Though the film was only nominated (and won) for Best Makeup, many believe if you swapped out the "man turns into a fly" storyline with any other disease, The Fly could have won an Oscar in any category it was nominated for. The Fly excels on every level, from story, to acting, to Howard Shore's booming and intimidating score. Often thought to be an analogy for a loved one going through cancer, The Fly hits the nail on the head with portraying exactly what it feels like to go through losing someone little-by-little to sickness. Though the tale is horrific and heartbreaking, at its core, the film details the events of a relationship and the hardships of going through one when the person you love is slowly dying. ![]() ![]() These words uttered from Veronica Quaife's (Geena Davis) mouth when she sees the man that she loves has gone from brilliantly eccentric scientist (Jeff Goldblum) to obsessed fly-monster in David Cronenberg's 1986 remake of The Fly.
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